Some of us look to books for our solace, some religious, some people. Halise Karakaya tells her audience to look on further. In her work we are called to the heavens to imagine a new world unbound by our physical confinement and encouraged to recognise the connectivity of our souls.

For decades, Denmark Street has existed in rock mythology. A narrow Soho strip once crowded with guitar shops and rehearsal rooms, it helped shape British music history.

When ADMT walks on stage these days, he carries more than a microphone; there’s a lived-in honesty that colours his lyrics. The Doncaster-born musician has always been a storyteller, but his new work is marked by a quiet urgency.

All Time Low’s Alex Gaskarth on Independence, Intention, and the Community That Carries Them. “It’s fun to experience your music again through everyone else’s eyes.” When All Time Low, long-standing titans of the pop-punk genre, announced new music, speculation buzzed louder than ever.

For two nights, in the convivial confines of Brick Lane’s Galleria Objects, the first in a series of events developed through curatorial platform Obtuse Archive, set out to translate its central metaphor into a physical, multi-sensory experience. The exhibition was one that strived to occupy the “unsettled zone” between structure and resolution.

The word pressure conjures up a multitude of emotions. It’s universal; everyone has felt its hand at their neck, gently tightening. A presence lingering just beneath the surface of our dominant feelings. For Julia Wolf, this pulsing sensation quite literally defines her newest album. Pressure is a confessional, an act of emotional exorcism that doubles as genre-defying songwriting.

Few characters divide audiences quite like Kali. First introduced as the runaway from Hawkins’ lab who hunts down her old abusers, she is a character driven by an uncompromising, vigilante sense of justice. She can manipulate perception with her super powers. And she has a tendency to manipulate the people around her, even the ones she cares about.

In contemporary capitalism, every need finds its market. From the logic of commodified healing, Naz Balkaya’s Break-up Kit imagines the aftermath of love as a curated delivery service for the newly single. This work gathers objects against a sterile white background, and in their arrangement, I make out the shape of a face.